Spoilers, Twists, and Dragons: Popular Narrative after "Game of Thrones"

"It's not TV, it’s HBO" was the slightly pretentious slogan offered by the cable channel in 1997, in what now appears to have been a golden age of the TV series. Sex and the City (1998-2004), The Sopranos (1999-2007), Six Feet Under (2001-2005), Entourage (2004-2011), and The Wire (2002-2008) were series that have changed our way of seeing the world, as well as the social status of these singular works, which have often been neglected on account of their mass-market appeal. After a short period during which it seemed as though the channel might be overtaken by other networks (AMC with Mad Men, 2007-2015 and Breaking Bad, 2008-2013), HBO regained its control of the series culture with Girls (2012-2017) and Game of Thrones (2011-) – two series that are really unlike all others. However, I am discussing Game of Thrones (G oT) here, because you do not have to be a fan of medieval fantasy, bloody fights, dragons, or soft porn; you do not need to love the sagas of George R.R. Martin to be a fan of Game of Thrones. You do not even have to like "series."

Cite this article: Laugier, Sandra. "Spoilers, Twists, and Dragons: Popular Narrative after Game of Thrones". Stories, edited by Ian Christie, Annie van den Oever and Annie van der Oever, Amsterdam: Amsterdam University Press, 2018, pp. 143-152. https://doi.org/10.1515/9789048537082-011